So just my normal day?
So just my normal day?
That’s a fine choice sir/ma’am.
My close second, story wise, would be Link’s Awakening. The story was a real mind fuck when I was a kid.
If you consider emulating older games a viable option, I would suggest:
We might fancy a little stagnation if you look around
Get accostumed to eat your veggies, once you hit you 30s your intestine starts revolting if you don’t give it healthy food
Something like Chlamydia Bubble Cum Fart
And each week I’ll declare war to a new first world country, so the news would constantly have a title in first page like “Chlamidia Bubble Cum Fart is menacing Finland”
One of the first song I learned on the acoustic guitar is Good Riddance (Time of Your Life) by Green Day. Really easy song, 4 chords in total, no barre.
Keep in mind that is always best to learn songs you like: some might be hard but you’ll be more satisfied when you get it. If you look for chords or tabs, Ultimate Guitar is a great resource
Cars shaped city planning, housing and by consequence our lifestyle, making us more dependent on them to get through your day. You can see it expecially in European cities that were built in medieval/reinassance times: if you live and work in the older parts you can totally do without a car. If you move a few kilometers out, not having one becomes a real handicap
No need to be sarcastic, I’m not attacking anyone on a personal level.
I know this thread is about songs, in fact I wanted to give credit to the people who actually had an active part in writing these songs (not just producing).
I know people cannot always credit every member working behind a piece of music, like it’s a scientific paper, but if you’re a lover of this art sometimes is nice to stop and be curious about who these people are and how they work. If you don’t you’re just a consumer, which is fine but you’re missing a big part of the process.
What short?
Max Martin is the genius working behind most of the artists mentioned in this thread. The dude is a total hit parade machine and the fact that no one said his name tells me a lot about how music is perceived in the mainstream.
[…] 8-10 hour long episodes.
“Now with even more desert panoramics, elegantly scored with Hans Zimmern uninterruptedly farting in an empty can of beans”
My criticism is in fact focused on how the movie was directed, interpreted and cut, I didn’t mention the story.
Also, the comparison with The Lord of The Rings is a bold move my friend… I mean, I understand that’s about “being just a part of a longer story”, but the Fellowship of the Ring is a brilliant example of how a movie should be directed, interpreted and cut.
Sometimes you just want to switch your brain off for a couple hours and watch things go BOOM.
It’s something I can totally get behind, although I understand it’s not something everyone enjoys
I also havo to see part 2, I just have to wait for my mouth to stop foaming in anger every time someone mentions the word “Dune”
No, never read the books, never read the comics, haven’t seen the one from Jodorowsky.
And I don’t really know anything about the production process: I judge it solely on what I saw, as any entertainment product should be.
New one.
3 hours of soulless cash grab capitalyzing on the fact that we had been starved of cinema for 2 years and everyone was so hyped to come back no one wanted to admit the movie was a boring mess of everyone involved sucking his own dick instead of working together for a good product.
I don’t want to see the twentieth 4 minutes desert panoramic: it’s a fucking desert, we get it can we move on? Or the stupidly intense stares between Chalamet and Rebecca Ferguson in random situations: you two are stranded in the desert drinking your own sweat and piss, why are you looking at each other like you’re going to fuck?
What makes you stand out?
Standing up
Dune.
Shower me with downvotes, I don’t care.
The disappointment of experience winning lifetime supply of something but that would eventually turn into a lie